TM Productions

Live streaming in the Lehigh Valley, PA.

Multi-camera live streams for conferences, galas, churches and graduations, with a crew of at least five on every one.

From $6,500 with a five-person crew and a tech rehearsal the day before.

Recent work

  • Live stream · ManhattanExecutive roundtable streamed to a virtual audience
  • Live broadcast · ChurchChurch services at campuses of 1,000 to 2,000
  • Event coverage · NYCBack-to-back corporate events in Manhattan
  • Event coverage · PAAn annual manufacturing association show
  • Since 2017The founder’s work has passed 1.3 billion views

What actually goes wrong on a live stream?

Almost always the audio comes through thin, the venue Wi-Fi gives out halfway through the keynote, or one camera sits on a wide shot for 90 minutes until the people at home close the tab. We plan for all three, run a full tech rehearsal the day before and send a private test stream before your doors open, so you get to actually be at your event.

A five-person crew on every live stream, at minimum

On a lot of streams the person switching cameras is also running the slides and riding the audio, and you can see it every time a slide shows up late. We split those jobs across three seats and put at least two camera operators on top, so every stream starts with five people, each with one job.

CREW CALL

05 MINIMUM UP TO 11

  1. 01A1 · AUDIO

    Audio mixer

    On headphones the whole show, mixing every mic and listening to exactly what the people at home hear.

  2. 02GFX · GRAPHICS

    Graphics operator

    Your slides, your logo and a lower third for every speaker, sent to the stream and the room’s screens at once.

  3. 03TD · DIRECTOR

    Broadcast director

    Calls the shots and cuts between cameras live, so the stream’s always on whoever’s talking.

04 · 05CAM 1 · CAM 2

Camera operators

At least two, usually one holding the stage wide and one tight on the speaker.

  • 04CAM 1
  • 05CAM 2
  • 06CAM 3
  • 07CAM 4
  • 08CAM 5
  • 09CAM 6
  • 10CAM 7
  • 11CAM 8
SOLID · ON EVERY STREAM DASHED · ADDED AS THE ROOM GROWS LINE · HEADSET COMMS
  • PGM YOUR STREAM
  • AUX IMAG ON VENUE SCREENS
  • ISO EVERY CAMERA TO SSD

Room to grow

Bigger rooms get more camera operators, up to eight cameras and a crew of 11, which covers graduations.

IMAG for the room

We can put the live cameras and your slides on the venue’s screens too, off the same cameras and graphics as your stream.

Behind the scenes

A cinema camera built up on a tripod outdoors with two camera assistants beside it
Two crew members in headsets working a camera rig on an indoor set
A camera operator beside a cinema camera on a dolly in a church
A crew member in headphones watching the camera monitors on an office set
A camera operator with his eye to a cinema camera in front of a large black flag
A cinematographer in a cap prepping a cinema camera beside a black car
A cinema camera framing a man on a white couch in a bright living room
A cinema camera with a matte box on a tripod on a downtown sidewalk, with two crew members beside it
A camera operator holding a cinema camera with the Philadelphia skyline behind him
A director in a headset going over a script with a performer in a plaid jacket
A cinema camera in the foreground filming a woman holding a gas alarm on a front lawn
A camera operator working a cinema camera on a tripod on a downtown street
A cinematographer filming with a shoulder-mounted cinema camera on a town street
A camera crane set up on the wet plaza in front of the Philadelphia Museum of Art
Two cameras on tripods on either side of a director and an interview subject by a bright window
A cinematographer in a cap filming with a cinema camera beside a lit backdrop
A camera operator filming a scene in a white kitchen with the shot on his monitor
A camera operator filming with a shoulder-mounted cinema camera under a boom mic
A camera operator at a tripod filming a woman in a borough council chamber
A camera operator checking the monitor on a cinema camera on a church set
A crew with their cameras around a vintage sofa in a white studio
A crew member at the video village under a tent, watching two monitors
A crew watching an interview setup with cameras on tripods and a softbox in a white studio
A director in a headset going over a script with performers on a street
A camera operator under a boom pole filming a man beside a Christmas tree in a living room
A Steadicam operator in a headset on a lit stage set
A field monitor in the foreground during an interview with a man on his living room couch
A crew filming a performer outdoors with a boom mic overhead
A director talking with an interview subject between a camera and a softbox
A director with a script directing students down a school hallway
Two crew members setting up a cinema camera on a tripod on a lawn
A camera operator filming with a cinema camera in a classroom
A camera operator on a gimbal filming a performer under blue light
A cinematographer adjusting a cinema camera on a tripod outside a brick building
A cinematographer checking the monitor on a cinema camera
A crew member holding a slate to a car windshield during a night shoot
A cinematographer running a cinema camera on a dolly track outdoors

What we cover

LIVE STREAM

Executive roundtables, streamed live to a virtual audience

Cameras locked on the table and another roaming wherever the conversation goes, a broadcast operator on the switcher, wireless mics for every speaker and a backup for the internet.

MULTI-CAMPUS · LIVE BROADCAST

Church services at campuses seating 1,000 to 2,000

A packed room and a lot of people watching from home, all getting the same service.

NEW YORK CITY

Back-to-back corporate events in Manhattan

Closed streets, security on every block and tight load-ins aren’t new to us.

EVENT COVERAGE

Annual conferences and association shows

The flagship events your members plan their year around, and exactly the work we want more of.

Tony Ellis Martinez founded TM Productions in 2017, and his work has passed 1.3 billion views across platforms. Today it’s a crew of about a dozen, dressed for the boardroom and running the day from load-in to wrap.

Check your date ›

What’s included in every live stream

Venue Wi-Fi is where most streams get into trouble, so we never count on it, and audio gets planned before cameras on every job, because nobody has ever said “great video” about something they couldn’t hear.

  • Multi-camera coverage Broadcast and cinema cameras with an operator on each, and wireless transmitters so nobody runs cable through your crowd.
  • A real switcher, recording everything An ATEM Mini Extreme ISO, so the director cuts live while every camera records to its own SSD.
  • Audio off the board We plug into your venue’s sound board or bring our own Yamaha mixer and wireless kit, and a separate recorder keeps a backup copy.
  • Slides and graphics, built ahead of time Names and titles as people speak, your logo, and your slides cut in right on cue.
  • The platform you already use YouTube, Facebook, LinkedIn Live, Vimeo, Zoom webinars or a private link.
  • Speed test and backup internet We test the venue’s upload ahead of time and bring Starlink or bonded cellular, tested before doors.
  • Power checked twice We ask which circuits we’d share with catering or the band, then check them again at load-in.
  • A tech rehearsal the day before Cameras, mics, slides and a private test stream, a full day ahead.
  • A crew that looks like it belongs there Professional dress the whole time, because your guests notice who’s in the back of the room.
  • The recording

    The full program recording after the event, plus every camera’s file if you want them for marketing.

Where do we fit with your A/V company?

We’re the video side of A/V: the cameras, the switcher, the graphics, the stream and the feeds to your screens, plugged into whatever sound and screens are already in the room.

What we bring

  • Broadcast and cinema cameras, each with an operator
  • The switcher, the graphics workstation and the stream itself
  • Mics, wireless kits and an audio mixer when the room doesn’t have a board
  • IMAG and your slides, sent to the venue’s projectors or LED wall
  • Cables, converters, headset comms and the backup internet

What stays with your A/V company or venue

  • Projectors, screens and LED walls
  • The PA speakers and the sound for the room
  • Stage lighting, staging and rigging
  • Camera cranes and jibs

Already have an A/V company?

We work off their board and their screens, and if their engineer is mixing the room we take a clean feed, so you’re not paying two people for one job.

When the venue has its own sound and screens

Plenty of hotels, churches and schools do, and if all you need on top is cameras, a stream and IMAG, you don’t need a separate A/V company.

For A/V companies and event producers

We also work as the broadcast crew on someone else’s show, on your call sheet and under your name.

Need marketing footage from the event too?

A lot of organizations book a broadcast team for the stream and a separate video team for marketing footage, which means two invoices for the same eight hours in the same room. Every camera of ours records on its own drive while the program goes out live, so you walk away with enough to cut a recap and a run of social clips, and those edits get quoted after you’ve seen the footage.

What does it cost to live stream an event?

From$6,500

That covers two cameras, the five-person crew and the tech rehearsal the day before.

Your exact number comes down to five things, the same five we walk through on the planning call.

  • The EventHow long it runs, how many sessions or rooms, and when we can load in the day before.
  • The StreamCameras past the base crew, how much graphics work, and where it’s streaming.
  • AudioHouse board or our full kit, and how many people need a mic.
  • Your ViewersPublic YouTube, a registration-only Zoom webinar or a private link for members.
  • The VenueWhat the internet can handle, which backup it needs, and how far we’re driving.

Every camera past the first two is added to the quote, and overnight travel to NYC, Baltimore or D.C. goes on its own line at cost. A signature and a 50% deposit lock the date, and the other half is due 7 days before the event.

Live streaming for conferences, churches and graduations

If it happens in a room and people need to watch it from somewhere else, from a 12-seat roundtable up to a graduation, we’ve probably built a setup for it.

  • Conferences

    Keynotes, breakouts and general sessions, with names on screen and the slides cut in.

  • Associations

    Annual meetings, member shows and award programs for members who can’t travel.

  • Town halls and all-hands

    Company meetings with people in the room and people dialing in, including remote speakers on Zoom.

  • Council and board meetings

    Streamed with each speaker’s name on screen and a clean recording for the public record.

  • Panels and roundtables

    Conversations that jump from person to person, with a director cutting to whoever’s talking.

  • Galas and award shows

    Award moments and honoree speeches, with a roaming camera on the room’s reaction.

  • Church services

    Easter, Christmas, ordinations and anniversaries, at campuses that seat up to 2,000.

  • Graduations and commencements

    IMAG on the venue’s screens for the back rows and a camera on the stage for every name called.

  • Nonprofits

    Annual meetings, fundraising programs and community forums for supporters who couldn’t be there.

Council, board and public meeting broadcasts

For boroughs, townships, school districts and authorities across the Lehigh Valley and Berks County, set up as a standing service so the same crew and the same setup show up for every meeting.

What the public sees

Three cameras on the dais, the public comment podium and the whole room, with the agenda item and each speaker’s name on screen.

Where it goes

Your YouTube channel, website player or cable access channel, with the recording to the clerk the same night and a captioned copy within 2 business days.

Audio off your room system

A clean feed from your chamber’s mic system, with our mixer on headphones through public comment.

What your purchasing office will ask for

$2,500 a meeting for up to 3 hours plus setup with a three-person crew, a written quote the same day, a certificate of insurance and a W-9. A purchase order holds the date with no deposit, and we invoice after the meeting at net 30.

Check your date or call 484-860-0276 with how many meetings a year you’re looking to cover.

Live streaming from the Lehigh Valley to NYC, Philly, Baltimore and D.C.

We’re based in the Lehigh Valley and stream from Allentown, Bethlehem, Easton, Reading, Lancaster, Harrisburg and Scranton out to Philadelphia, New Jersey, New York City, Baltimore and D.C. We’re in the room the day before for the tech rehearsal anyway, so a long drive never turns into the crew racing the clock, and travel’s itemized in the quote.

Drive times on the map are approximate, from our Lehigh Valley home base.

How it works, from the first email to the final file

You send the date, the venue and where the stream needs to go, and the Live Stream Planning Guide lands in your inbox. On the planning call we ask about the one moment that can’t be missed and build the camera plan around it, your written quote goes out that day, and a signature and a 50% deposit put the date on our calendar. The crew loads in the day before for the tech rehearsal, and after the show you get the program recording and the footage.

Live streaming FAQ

Packages start at $6,500, which covers two cameras, the five-person crew and the tech rehearsal the day before. Extra cameras, the audio setup, the venue’s internet and travel to NYC, Baltimore or D.C. move the number, and you’ll have it in writing the same day as your planning call.

Because each of those jobs needs somebody’s full attention, and when one person covers three of them you see it as a late slide, a hot mic or a shot of an empty podium. The one seat that can come off is audio, when your A/V company’s engineer is already mixing the room.

Every stream starts with five people and builds up to eight cameras and a crew of 11, which covers keynotes, galas, church services and graduations with IMAG. A pro sports broadcast or a show for tens of thousands isn’t our lane, and we’ll tell you that straight.

The director switches to the backup connection we set up before doors, a Starlink dish or a bonded cellular hotspot depending on the building, and every camera records to its own drive either way.

Yes on both. You get the full program recording, which is the version your viewers watched, and every camera also records on its own in full quality, so you’ve got clean angles of every speaker for editing later.

YouTube, Facebook, LinkedIn Live, Vimeo and Zoom, including webinars where people register first, or a private link for members or employees.

Yes, through a Zoom webinar with registration, a private link or a members-only page you already have.

Yes. Remote speakers come in through Zoom so the online audience sees them, the room can too if your screens and speakers are set up for it, and we test with each one before the event.

We’ll figure that out with an upload speed test at the venue, and if it comes back low we plan around it with Starlink or bonded cellular, which is already in your quote.

Yes, and on our crew that’s one person’s whole job. Send the slides and the speaker list ahead of time and it’ll all be built before the event.

Yes. Every camera records in full quality, so a recap or social clips come out of footage you already paid for, quoted after the event.

Six weeks out is best, because the tech rehearsal and the five-person crew take that long to plan, but send your date as soon as you have it. It’s locked once the agreement is signed and the 50% deposit is in, and the other 50% is due 7 days before the event.

Yes, regularly. We’re based in Macungie, we work in Manhattan regularly, and travel’s itemized in the quote.

Usually not. YouTube and Vimeo play in any browser, and a Zoom webinar just needs the link from the registration email.

Yes, both ways. We work alongside your A/V company off their board and screens, event producers bring us in as their broadcast crew, and the big room gear like projectors, LED walls, PA speakers and stage lighting stays with them.

Show the world.

Check your date

Send the date and the venue, and we’ll set up a short planning call and get you a written quote the same day.

The Live Stream Planning Guide hits your inbox right away: fifteen quick questions about the room, the audio, who’s watching and the one moment we can’t miss. Fill in what you know, skip the rest, and we’ll follow up within one business day, usually a lot sooner. We use your details to plan your event and that’s it, so you won’t end up on a mailing list.

If you’d rather talk it through, call 484-860-0276.